lunes, 31 de julio de 2017

Dayramir Gonzales – The Grand Concourse EP (2017)


THE VISION

Dayramir Gonzalez's latest album The Grand Concourse is defined by the voyage of a young artist from Havana, whose creation of musical works shines a light on the gems of traditional Cuban sentiments, contemporary Afro-Cuban jazz and the vanguard sounds of New York City. In his through-composed song "Situaciones en 12/8", the compulsive bass motif is the engine that drives the layering melodies, while "Sencillez" is a modern commentary on Cuban musical history of the late 19th century. A Tribute to Buena Vista Social Club, Mozart, and John Coltrane mixed with Dayramir's spices.

“This is an ambitious project that presents me not only as a pianist or improviser, but also as a composer, arranger, orchestrator, and bandleader. For me, making an album is always about creating a full and complete piece of art, where I have a palette of different colors to choose from and can paint all those sounds that float in my head."

Dayramir Gonzalez


Born and raised in Havana, Cuba, pianist Dayramir (DY-ruh-meer) Gonzalez has come into his own as a New York City based artist and bold musical force with his bountiful U.S. debut The Grand Concourse EP released on Machat Music/Orchard.

The 5-track EP dazzles as an expressive showcase of the energetic Dayramir’s immense talent and sweeping musical vision. An internationally praised pianist and composer, (“Gonzalez’s bravado-infused pianism naturally extends the brilliant legacy of Cuban jazz pianists..,” — LA Weekly) he’s been hailed for his “monster technique” and prolific creative range which melds rock, pop, jazz and Afro-Cuban stylings.

The gifted artist dons multiple hats on The Grand Concourse EP, enthusiastically succeeding as composer, arranger, orchestrator, bandleader, and more leading a dynamic array of musical assemblages, including string quartet, full orchestra, solo piano and Afro Cuban jazz septet. Whether it’s the appealing textures of the jazz-flecked “Smiling,” which Dayramir says “is a harmonious blend of a lot of the sonic elements of the album,” or the more hypnotic “Situaciones en 12/8,” with its fundamental groove evolving from West African musical tradition, or “Iyesa Con Miel,” dedicated to Oshun, one of the most powerful deities’ of the Yoruba pantheon, Dayramir sets his compass for a modern and timeless confluence of sound.

Dayramir’s journey may have begun in Cuba, but there’s been no shortage of mileposts lighting his diverse path. He was accepted into Cuba’s famed National High School For the Arts (ENA) and while still in school, was recruited by Cuban legend Giraldo Piloto to join Klimax, helping to shape the sound of that renowned group. In 2005 he won first place in Havana’s JoJazz festival in the composition category, winning a record deal with Cuba’s national label Colibri. He recorded his first album, released in Cuba in 2007, titled Habana enTRANCE, displaying his skills as artist, bandleader, and composer. The album would go on to win three Cubadisco awards, considered the Grammys of Cuba.

Dayramir was accepted into Havana’s prestigious Instituto Superior de Arte (ISA) where he strengthened his burgeoning composition skills under the tutelage of master Juan Pinera. Next, he was awarded a musical scholarship to Boston’s revered Berklee College of Music in the U.S., becoming the first Cuban national to receive Berklee’s coveted full Presidential Scholarship. In 2012, he was called “a rising star in the Latin jazz world,” by Carnegie Hall and personally selected by Chucho Valdes to represent the young generation of Cuban Jazz at Carnegie Hall’s “Voices of Latin America.”

Dayramir graduated Summa Cum Laude in 2013 and received the Wayne Shorter award for Most Outstanding Composer of the Year upon graduation

The vibrant The Grand Concourse EP embraces the pulse and mystique of New York City, as well as the allure of early 20th century Cuban sonic leanings and the cultural roots and myths of sensually fused Yoruba religious elements (Cuban-centric Yoruba beliefs identify both natural and spiritual characteristics as part of its foundation) elevated by Dayramir’s 21st century precision.

Bob Mundy - Award Winning Vocalist - Actor and Jazz Freak?? What?? (KitoLiscious Records, October 2, 2017)


Bob Mundy
"Love To Me"
KitoLiscious Records
Actor, Jazz Freak and Vocalist
Release Date: October 2, 1027


“Love To Me” is Bob Mundy's much anticipated follow up to his hit 1st album "Something Beautiful". It's a smart & alluring look at the kaleidoscopic and contradictory allure of Love!


Album Launch Concert
Sept 28 & Oct 2, 2017
The Laurie Beechman Theater
407 W 42nd St, New York, NY 10036 (At 9th Ave)
7PM (Doors open at 6PM for dinner)
For Reservations: www.lauriebeechmantheatre.com or call (212) 695-6909

domingo, 30 de julio de 2017

Summersale from Nakama Records





We are celebrating August by cutting prices on all items in stock!
It's simple – just use one or more of the following codes at the checkout screen on our online store and you'll get the following:

BASICSALE – 15% off on your purchase
SHIPOHOI – Free shipping on orders exceeding €100

Also, if you share this Facebook post we will send you an additional code which gives you another 10% off on your total (don't make the order before you get it!). The sale ends on the the 31st of August.

All the best from us
Christian, Andreas, Ayumi, Adrian, Agnes

Even Chick Corea endorsed this album: Dave Kline Band - Shifting Borders (September 1, 2017)


Dave Kline Band
Street Date: September 1, 2017



Dave Kline Band CD Release Party at Blues Alley (8pm Show)

On Monday, September 18th, 2017, the Dave Kline Band will return to Blues Alley for their CD release party. The new CD is titled Shifting Borders. It looks and sounds fabulous and the band is thrilled to be releasing it at this venue. The band sold out the 8 pm show in March and the audience was blown away. (We apologize to those fans who were unable to get into the 8pm show! Please grab your tickets once they are on sale so you will not be disappointed  this time around.) 

They will be playing a 10pm show also and, if you're able, we'd love to see you at that show!

We really want to make a statement at this CD release party, bring your balloons and party favors, we are going to rock out!!

Shows at 8PM & 10PM
Tickets: TBA


de beren gieren - dug out skyscrapers (SDBAN RECORDS 29 September, 2017)






In the space between expectation and surprise, you will find Dutch-Belgian acoustic-electronic piano trio de beren gieren (The Bear Vultures), providing robust evidence that gold can still be mined from the union of piano, bass and drums. Based on the compositions of pianist Fulco Ottervanger, the trio use the power of improvisation on the quest for a new form and create a multi-layered, kaleidoscopic work of art.

de beren gieren has been hailed as one of the hottest acts on the Belgian jazz scene and this September, the band will release their fourth studio album, the highly anticipated ‘dug out skyscrapers’, via Sdban Ultra. Raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

With ‘dug out skyscrapers’, the trio trace back the essence of what characterizes their sound. An electro-acoustic approach weaves a spherical world of sound with added dynamism, humour and more than a touch of melancholy, projecting us forward into the future.

de beren gieren hold the unique ability to change mood suddenly in a way that constantly holds the listener’s attention. This is a sound full of joy and vitality and confirms their reputation as one of the most adventurous jazz trios of the Benelux.

Formed in 2009, the band were in-house residents at the prestigious Vooruit Arts' Centre in Ghent for four years and have received three awards at the distinguished International Jazz Hoeilaart competition which promotes young jazz musicians across Europe and the rest of the world.

‘A Raveling’ (2013), the band’s second album, was widely praised and resulted in de beren gieren’s international breakthrough. The follow-up a year later, ‘The Detour Fish’, captured the band’s live sound at the Ljubljana Jazz Festival in Slovenia and featured burgeoning Portuguese trumpeter and improviser, Susana Santos Silva. 2015’s ‘One Mirrors Many’ received widespread recognition with influential jazz magazine Jazzism describing the release as the “most influential album of 2015-16”.

de beren gieren have performed across numerous jazz stages throughout Europe and have collaborated with numerous musicians including Marc Ribot, Louis Sclavis, Joachim Badenhorst, Jan Klare and trumpeter Susana Santos Silva.

de beren gieren are Fulco Ottervanger (piano), Lieven Van Pée (bass) and Simon Segers (drums)

Sdban Records is an independent record label, obsessed with sixties and seventies grooves. It is the youngest member of the N.E.W.S. Records family, based in Ghent, Belgium. The label has recently expanded, focusing on contemporary talent. SDBAN Ultra is the sister label focusing on today’s lively jazz and funk scene, which is simply too exciting not to be explored.

Recently released on Sdban: René Costy ‘Expectancy’, ‘Let’s Get Swinging (Modern Jazz in Belgium)’, ‘Funky Chimes: Belgian Grooves from the 70’s’. Recently released on Sdban Ultra: Black Flower ‘Artifacts’, STUFF. ‘old dreams new planets’. Coming soon on Sdban: V/A – ‘Discophilia Belgica (Belgian Private Press Disco, Synthpop & Oddballs)’ + Jack Sels ‘Retrospective’. Coming soon on Sdban Ultra: BRZZVLL – Waiho.

 

sábado, 29 de julio de 2017

Brian Landrus' visionary CD for jazz orchestra 'Generations'



Brian celebrates the CD tonight Saturday, July 29 at Cornelia Street Café in NYC.


Composer and Baritone Saxophonist Brian Landrus Reveals a Thrilling, Ground-Breaking New Vision for the Jazz Orchestra on Generations, out July 28 via ArtistShare

The 25-piece Brian Landrus Orchestra makes a stunning debut with sweeping compositions inspired by generations of composers, genres and family

“This is really like nothing I've ever heard before.  It's going to be amazing and I can't wait to hear the final product!” – Joe Locke

“To be part of Brian's vision is enlightening.  It causes me optimism."  Billy Hart



Monumental in creative ambition, imaginative scope, and artistic achievement – not to mention sheer scale – Generations is the breathtaking debut of the Brian Landrus Orchestra, a 25-piece all-star ensemble stocked with a stunning array of the most inventive musicians in modern music. These adventurous virtuosos have congregated to realize the extraordinary, sweeping music of composer, baritone saxophonist and low woodwind master Brian Landrus, whose work combines a lifetime’s worth of wide-ranging listening and playing into an arrestingly bold, radiant and singular vision.

Far from a standard big band project and unlike any orchestral jazz ensemble that’s come before it, the Brian Landrus Orchestra incorporates inspiration from classical music, hip-hop, soul, funk, jazz, reggae and world music – with “inspiration” being the key word. In Landrus’ inventive hands these diverse genres are deconstructed and absorbed, emerging in startling and unrecognizable ways to conjure a dramatic and thrilling sonic landscape.



The title Generations carries multiple meanings for Landrus – including influences that span centuries from Bach to Ellington to Motown to Led Zeppelin to J Dilla; the family members that inspired Landrus and his music, from his father to his children; and the generations of musicians who’ve come together to breathe life into these deeply personal compositions. The drum chair alone features a four-decade difference in age, from the legendary Billy Hart to rising star drummer Justin Brown.

The awe-inspiring ensemble also features Jamie Baum, Tom Christensen, Darryl Harper, Michael Rabinowitz, Alden Banta and Landrus himself on woodwinds; Debbie Schmidt, Ralph Alessi, Igmar Thomas, Alan Ferber and Marcus Rojas on brass; harpist Brandee Younger and a string section featuring Sara Caswell, Mark Feldman, Joyce Hammann, Meg Okura, Lois Martin, Nora Krohn, Jody Redhage and Maria Jeffers; vibraphonist Joe Locke; and bassists Jay Anderson and Lonnie Plaxico. The Orchestra is conducted by bandleader JC Sanford, who has also held the baton for the John Hollenbeck Large Ensemble and the Alice Coltrane Orchestra. Landrus co-produced the album with fellow composers Robert Livingston Aldridge and Frank Carlberg.

Landrus comes to the project with a wealth of experience both as a leader and as a performer with some of the world’s most distinctive artists from a variety of genres: he’s toured the world in superstar Esperanza Spalding’s band and played in Ryan Truesdell’s prize-winning Gil Evans Project as well as working with the likes of Bob Brookmeyer, Rufus Reid, Danilo Perez, Frank Kimbrough, Gary Smulyan, Maria Schneider, The Temptations, The Four Tops, Martha Reeves, George Garzone, Bob Moses, Louis Nash, Nicholas Urie, Jerry Bergonzi, Ayn Inserto, Alan Ferber, Uri Caine and Ralph Alessi, among others.

Generations is the culmination of a long-held dream for Landrus, whose previous releases – both with his Quartet and the aptly-named Kaleidoscope – were vibrant but necessarily scaled-down interpretations of the saxophonist’s formidable ambitions. “I’ve had these colors in my head for as far back as I can remember,” he says. “I would always have to strip down what I was hearing into its raw form to use what I had available to me.”

A full-scale orchestra project began to seem more within reach once Landrus, who holds two master’s degrees (in jazz composition and jazz saxophone) from New England Conservatory, entered a PhD program in classical composition at Rutgers University. Studying the scores of the world’s greatest composers, he was compelled to allow his vision free rein, leading to the multi-hued, densely inventive music of Generations. Of course, such a mammoth undertaking is easier to fantasize than to achieve, but a combination of passion, risk-taking and determination allowed Landrus to bring the orchestra to fruition.


Landrus’ compositions incorporate his encyclopedic influences in ground-breaking, original fashion. The merger of hip-hop and jazz for instance, has become a common one; but you’ll hear no easily identifiable grooves or beats in Landrus’ music. Instead, the composer spent years transcribing dozens of hip-hop tracks, with an especial concentration on the work of pioneering producer J Dilla, and then parceled those rhythms into the strings. The result is an unconventional but invitingly complex weave of sounds and textures that converge in deft, surprising forms.

“Growing up listening to Motown and hip-hop and everything else that I loved and played with, those influences were going to creep in regardless of what I did,” Landrus says. “I just had to try to put them together as well as I could and try to imagine how it could all work. It’s a puzzle to get it to fit together properly, but it gives the music a different color that I’ve never heard before, familiar but new.”

The centerpiece of the album, and its launching-off point, is the “Jeru Concerto,” a four-movement feature for the composer’s baritone named for and inspired by his son Jeru – the namesake of bari master Gerry “Jeru” Mulligan and not yet born when Landrus began writing the piece. Propelled by the throaty churn of the orchestra’s low voices, the first movement envelops Landrus’ sinuous lines in lushly wafting strings and buoyant percussion; a solo turn for the leader initiates the gentle second movement, while the third mingles tension and tenderness, perhaps an illustration of the nervous anticipation that ushers any newborn into the world. The final movement, penned after Jeru’s birth, explodes with an infectious joy unable to contain a father’s pride.

Landrus’ family is also at the core of several other pieces. His daughter lends her name to “Ruby,” who recognized her inquisitive spirit in the music as he was writing it. The haunting “Every Time I Dream” depicts a love that proved elusive for years until finally becoming embodied. Landrus pays tribute to his father with “The Warrior,” which depicts not a ferocious fighter but a man of gentle strength and stoic perseverance.

“Orchids” began as a dream, an atmosphere evocatively suggested by the combination of Brandee Younger’s harp and Joe Locke’s vibes. The love story gradually builds to an ecstatic crescendo, but ends on an ambiguous note – like many dreams and, sadly, many romances. “Arrow in the Night,” its title taken from a Buddhist saying regarding evil people who lurk in the shadows, came to Landrus fully formed, its mesmerizing, slow surges like broad, intense brush strokes. “Human Nature” evolves from the solitary to the communal, maintaining a spiritual urgency throughout as the unsung title lyrics are passed from instrument to instrument. The rhythmic intricacy of “Arise” was inspired by a dance collaboration and imbibes elements from Electronic Dance Music (EDM) and Latin jazz, though as always in transformative ways.



viernes, 28 de julio de 2017

Cuneiform Artists on Tour - August 2017

August 2017

New Releases: Spring-Summer 2017


UPCOMING SHOWS

September 7-10 - Hopscotch Festival - Raleigh, NC
August 15 - Sunset Tavern - Seattle, WA


August 1 - Analog Cafe - Portland, OR
August 2 - Volcanic Theatre Pub - Bend, OR
August 4 - Cafe Du Nord - San Francisco, CA
August 5 - Bootleg Theater - Los Angeles, CA
August 7 - Soda Bar - San Diego, CA

Listen to Say So:

August 12 - Homiefest - Mt. Hood Forest - Portland, OR
August 20 - Montavilla Jazz Festival  - Portland, OR

Listen to Swim:

Raoul Björkenheim will release a new album in October 2017

August 4 - with Tatu Rönkkö - Norpas Festival - Taalintehdas, Finland
September - tour of Finland with the eCsTaSy band. Details TBA

Listen to Out Of The Blue and eCsTaSy:

Celebrating their new release on Cuneiform: Edit Peptide!

September 2-3 - ProgDay - Storybook Farm - Chapel Hill, NC

Listen to Edit Peptide:

August 1 - Three's Brewing -  Brooklyn, NY

Listen to Ambit:

European Tour: Spring 2018. Details TBA


Celebrating their new release on Cuneiform: Putting Off Death

August 1 - Radio Radio - Indianapolis, IN
September 15 - Rock In Opposition Festival - Cap D'ecouverte, France
September 16 - TBA - Lyon, France
September 17 -  Une Figue dans le Poirier - Girmont Val'D'Ajol, France
September 19 - Mora Mora -  Orleans, France
September 20 - TBA - Metz, France
September 22 - Freakshow Art Rock Festival - Würzburg, Germany
September 23 - OFF -  Basel, Switzerland

Listen to Putting Off Death:

Empirical's radical musical experiment - bringing jazz directly to the public via Pop-Up Jazz Lounges - goes nationwide!

September 18-23 - 'Pop-up Jazz Lounge' - Liverpool, UK
October 4 - Symphony Hall - Birmingham, UK

Listen to Connection:

Celebrating his 80th birthday with a tour of big band performances!

September 22 - TBA - Hamburg, Germany
September 24 - with the Hans Koller Big Band - Scarborough Jazz Festival - Scarbourough, North Yorkshire, UK
September 25 & 27 - Vortex Jazz Club - London, UK
September 26 - Watermill Jazz Club - Dorking, Surrey, UK
September 28 - CBSO Centre - Birmingham, West Midlands, UK
September 29 - Turner Sims Concert Hall - Southhampton, Hampshire, UK
October 19 - with Bill Frisell and Gary Burton, Berklee School of Music - Boston, MA 

[w/ Bill Frisell & NDR BigBand] &
In My View [w/ NDR BigBand]: